WEB EXCLUSIVE!

Howard Stern Exposed!
The "Private Parts" Interview

Fresh from the pages of Steppin' Out Magazine, the New York area's best local entertainment magazine, comes this exclusive interview with Howard by Chauncé Hayden. The interview took place during a round-table sit down with the press during the "Private Parts" press junket at the Rihga Royal Hotel in New York City about 2 weeks before the release of the movie.

Steppin' OutThe undisputed King of radio, Howard Stern, is proving that he truly is the "King Of All Media." The inventor of shock radio made his motion picture debut in "Private Parts" on March 7th with an opening weekend of $15.1 million in gross ticket sales. In addition to being the host of "The Howard Stern Show," the No. 1 daily syndicated radio show in the world, he is the author of the phenomenal best-selling books Private Parts and Miss America.

When Stern's autobiography, Private Parts, was first published by Simon & Schuster in 1993, it was an instant success, immediately soaring to the top of all the major bestseller lists in the U.S. and becoming the fastest-selling autobiography ever. His book signings held in cities around the country drew huge crowds.

The hardcover book spent four weeks in the No. 1 position, 13 weeks in the top 10, and 20 weeks on the New York Times bestseller list. The paperback remained on the New York Times bestseller list for 15 weeks. Private Parts has sold more than 2 million copies to date.

In addition, Stern's New Year's Eve Pay-Per-View special grossed upwards of $40 million.

When not ranting and raving over the 92.3 K-Rock airwaves (6 a.m. to 10 a.m. Monday through Friday) Stern spends his time with his wife Alison and their three children on Long Island.


Chauncé Hayden: The movie version of your best-selling autobiography, "Private Parts" seems to be the pinnacle of your long career. Are you satisfied with the final results?

Howard Stern: It's actually more than I thought it would be. In fact I was quite shocked when we finally got to show the film to a test audience in Seattle. I had never been involved in anything like that. I didn't even know what a test audience was. The audience was given the opportunity to write down its feelings and the overwhelming response was that the film was hilarious. And when they said stuff like "It inspired me to follow my dreams," and "It's the funniest movie I've seen since "M*A*S*H," that went beyond my wildest dreams. I could not believe how much they loved the film.

Chauncé: Rather than a movie about "The Howard Stern Show," "Private Parts'" central theme seems to be the relationship between you and your wife, Alison. Would you agree?CD Cover

Howard: Absolutely. I think she is the humanity of the film. If I had made a movie that basically showed a lot of the radio bits that I did and it was just me running around the studio and doing my thing it would be no different than what you get on the radio or the E Channel. The idea behind "Private Parts" was to reveal something new. Something that I hadn't shown the audience before. To me the key to this movie was the relationship I have with my wife because for years people had said to me, what kind of woman would marry Howard Stern?

Chauncé: Good question.

Howard: (Laughs) That is a good question! It's got to be a unique woman because there is betrayal in our relationship. My dream was to be honest on the air and tell people everything that was going on in my life. That was not my wife's dream. The idea that this woman fell in love with me and was willing to travel the country with me and be such a close friend to me was remarkable. And yet we have this issue in our lives which is this radio show. And when I go on the air and I talk about her miscarriage, I know I've done wrong and yet(pause). There's some sort of character flaw in me and yet she continues to love me.

Chauncé: Why?

Howard: Because we have a true friendship between us and a true relationship between us. There's something there-some spark. That's what I wanted to show in the movie. That's a side of me that the audience has never seen. I've always said, when I'm on the air I'm probably the most truthful about my life. That's the real me. Somehow I think when I'm off the air, I'm role playing.

Chauncé: You went through dozens of scripts before finally reading one that met your approval. What was that process like for you?

Howard: Two years before ["Private Parts" producer] Ivan Reitman got involved, I was involved in a script situation where I thought every script was dumber than the next. It started to look as if the film wasn't going to be made because I had final script approval and I rejected every script there was.

Chauncé: What was the problem with them?

Howard: I rejected them for various reasons, mostly because they were over the top comedies that I think were dumb, boring and dull like every other comedy that's been coming out. I'm convinced Dan Aykroyd doesn't read his scripts. And I love Dan Aykroyd. I thought he was brilliant. But man, he's just not paying attention to his audience or he apparently doesn't care. So every two weeks I would turn down a script until the word was that I'm afraid to do a film. But I wasn't afraid. Remember, I'm the guy who went on MTV and showed his disgusting butt cheeks. I'm not afraid of anything. I just wouldn't do a bad movie. I mean, some of those scripts had me being chased around the house by Richard Simmons! Where's the reality in that? Ivan Reitman, who was a fan of the show, seemed to have the right vision and in six months he came back with a script that I knew was the right formula. He then put me together with Betty Thomas, whom I can't praise enough. She is brilliant.

Ben SternChauncé: How accurate is the film in terms of the sometimes turbulent relationship you had with your father?

Howard: It's true. My father really did call me a moron and an idiot. In fact it got really vicious at times. But deep down inside I always felt my father loved me.

Chauncé: Then why the name calling?

Howard: I felt he did it because he was insecure about me. He felt that I wasn't going to be a success or that I wasn't going to be able to make a living. So there's sort of this, "Hey dad, look I made it," kind of thing about the movie. I mean I suppose I wasn't socially acceptable as a child growing up, in terms that I wasn't this great, popular person. So there's sort of that vindication as well. Just like when I wrote the book, Private Parts. That was the most gratifying thing I had ever done. Because for the first time I started to get acceptance among critics. I didn't think that mattered to me but all of a sudden it did. I liked the feeling.

Chauncé: Obviously you have millions of fans who idolize you across the country. But how does it make you feel knowing that there are those who don't know you, nor have they ever listened to your radio show, but who hate you?

Howard: It's a funny thing, that hate thing. I once did an interview with John Stossel from the television show "20/20" and he brought that up to me and I said to him, "Let's go out on the streets of New York and see who hates me. Let's go up to the average hard working guys and see what they say." So we went down the street and we ran into men and women of all different ethnic groups and they all came up to me and said that they love the show. I think there is a higher acceptance level out there than people will admit to. I know one thing and that is that I make people happy from 6 to 10 in the morning, which is the most miserable time of the day. It's a horrid time of day. People have said to me that they've been in their car for an hour and a half, they suddenly pull into a garage, then they have to sit there for 10 more minutes to listen to a bit I'm doing on the air. Yes, there are those who don't get the radio show or it's not their particular cup of tea or brand of humor and I think those are the people who identify themselves as hating me. Of course, then there are those who hate me but who actually listen every day. I'm not sure if those people are just voyeurs or fans.

Chauncé: Which would you say was more challenging, writing the book Private Parts or making the film based on the book?

Howard: The most challenging thing I have ever done in my career was the book. I still to this day don't know how I got that done. I certainly didn't know if I could write a book. I knew I could be funny talking into a microphone but I didn't know if I could sit at my computer and be funny. Writing to me is the hardest thing in the world. I wanted to make sure that I sounded like myself. I remember when I first started to write the book I would sit there and check the thesaurus and all the lame crap that people do. Then I remember thinking to myself, you know what, just write this the way you talk. And it was so difficult for me and so lonely. I would see my wife and kids outside my window playing and I would be inside trying to type this thing. I had four months to type this book and I'm thinking to myself, "Oh, my God how am I going to get this done?" I would say that the movie was the second hardest thing I've ever done.

Chauncé: They say one of the most challenging things an actor can do is play himself. How difficult was it for you?

Howard: It was weird because people said to me, "Hey you're playing yourself, that's got to be pretty easy." And I said, "Well in theory, yeah. But it's not so easy. I can't present myself today as the Howard of yesterday."

Chauncé: Was there anything you did to help yourself be the person you were 20 years ago?

Younger HowardHoward: I studied a lot of videotape of myself. I studied my old air checks. I started to notice things like whenever I was on the air early in my career I was always out of breath because I was so nervous. My demeanor as a 20-year-old was this very insecure, shy, quiet guy. Also, revealing that sweetness with my wife in the film was very difficult for me in terms of making sure that it was real. By the way, I credit ["Private Parts" Director] Betty Thomas with all of this.

Chauncé: In the past you've been extremely sensitive to what the media writes about you. Soon every paper and magazine will be reviewing your movie. With that in mind, is there any one particular film critic whose opinion means more to you than the others?

Howard: No, not really. In fact I couldn't wait for people in the press to see this thing. The reaction I've gotten from the press has been nothing short of outstanding. As far as critics go, obviously some of the better known critics like Siskel and Ebert are important because they're powerful critics and a lot of people read them. But I'm almost just as concerned with a guy from a small town paper. I want to hit home runs with everybody here. I really believe in the strength of this film.

Chauncé: How would you describe your typical listener?

Howard: They're usually a bit of a wise ass, they would like to tell their bosses off. It's a type of person. And I don't know if there's that much difference between men and women because I have some female fans who are rabid for the show.

Chauncé: What separates you from all the Howard Stern wanna-be's?

Howard: There are a lot of people who think you go on the air and just say penis and that's how you get an audience. I know when I was fired from NBC they put a guy on and said to him, "Well, talk for five hours like he does and say some dirty words or something." But that's not what my show is about. You cannot maintain an audience for 20 years saying penis. It's just doesn't work.

Chauncé: You often talk on the air about how much you enjoy surfing the internet. Is the internet truly the future as far as you're concerned?

Howard: Right now, I think the internet is in its infancy. It doesn't offer too much to people right now. A lot of it is advertising, hype and junk. A lot of it seems to be like bad magazines, but having said that, I think there is tremendous room for growth. I love going on the computer and chatting just to see what's on people's minds. I think in 20 years the internet will overtake everything.

Chauncé: Even radio?

Howard: No, I don't think radio will ever change, at least not for me. From 6 to 10 in the morning people will always be in their cars, and the internet doesn't reach cars.

Chauncé: Will you ever have your own prime time television show?

Howard: No. I've been offered every television show that there is, but I just don't have the time to do it. That's why I do the E! show; because I can do them both simultaneously. Radio to me is an important medium. It is so much more gratifying for me to do radio than television. That is why I signed on to do radio for another four years. Radio fuels everything that I do. I know that is what I'm best at. It's the reason why I have such a loyal following. As much as I bitch about getting up at four in the morning, I don't think I could really get along without radio. I wonder what it would be like to wake up and not have that form of expression available to me.

Chauncé: Now that you've become a superstar in the entertainment industry, are you at all concerned that success might take some of the edge away from your radio show?

Howard: Yeah, I do worry about it. As you become more famous and well-known you start to worry about your image. Suddenly you start to say maybe I shouldn't say that on the radio because of my image. And as soon as you say that, you're finished. You've got to put that thought out of your head if you want to be attractive and not admit the fact that something is medically wrong with you-or whatever that is when you become boring. So to safeguard against that, I just sort of tap into what made me get into this business and what made me interesting in the first place.

RobinChauncé: Besides focusing on your relationship with your wife, the film also focuses heavily on your relationship with your co-host, Robin Quivers. How important is Robin to the success of "The Howard Stern Show"?

Howard: My relationship with Robin is remarkable. Robin is the backbone of that show and she is the anchor of that show. I would not be successful without Robin. Robin makes me feel funny. Nobody knows how to fire me up like she does.

Chauncé: In other words, she knows how to push your buttons.

Howard: Exactly. It's a one in a million shot that you can link up with somebody like that.

Chauncé: Finally, is there anything during your career that you regret?

Howard: No, and that probably is a character flaw. I don't regret anything I ever said or did.

If you would like a copy of Steppin' Out Magazine featuring interviews with Howard Stern, Baba Booey and Mary McCormack, please send $5.00 to Steppin' Out attn: Chaunce Hayden, 381 Broadway, Westwood, N.J. 07675 or call 201-358-2929. (Don't forget to include your name and address) or you can E-Mail Chaunce Hayden direct at Chayden196@aol.com

 

Special Thanks To Steppin' Out Magazine, Chauncé Hayden, Larry Collins and Collins Communications.

Front Page

©1997 The K.O.A.M. Newsletter. All Rights Reserved.
©1997 Steppin' Out Magazine. All Rights Reserved.